Friday, June 27, 2008
Thomas Dongan's Swamp
Thomas Dongan, the Irish Catholic and Royalist also known as the Second Earl of Limerick, was provincial governor of New York from 1684-1688. He is remarkable for two things; he permitted Catholics to enter the royal colony when he called New York's first legislative assembly, which issued the colony's Charter of Liberties, and he cut a road through the Common on its east side, in effect creating the street presently known as Park Row. He thus anticipated, and hastened the city's development to the north and east.
The Common was considerably wider than it is today. It splayed out beyond Broadway on the west and petered out on the east into a swamp that connected with the Collect Pond, which began at Foley Square and stretched northeast. Today, Dongan's farmer's road feeds traffic into Centre Street one-way north past the Municipal Building.
One would like to think Dongan's religious toleration grew out of egalitarian Englightenment principles. One would like to think his addition of a northeast road grew from his wise foresight of the city's development. The reality is somewhat more prosaic, as it all too often is. By tolerating Catholics, Dongan brought the first wave of cheap immigrant labor into New York. In truth, he had little in common with the Irish Catholics whose toleration he championed except that he was born in Ireland. Dongan was a thoroughgoing Irish aristocrat and a Royalist during the English Civil War. His best friend was James, the Duke of York, and (coincidentally?) the road the Irish laborers Dongan brought into the city constructed also facilitated access to Dongan's own farm.
Dongan also held two Long Island townships by royal patent, East Hampton and Southampton. The patents that established the municipal governing procedures that these towns employ today grew directly from the so-called Dongan Patents.
Thursday, June 12, 2008
Jacob Wrey Mould Fountain
Quantum physicists are either aghast or agog nowadays about the possibility of a T.O.E., a "Theory of Everything." Essentially, the argument runs that singularity is virtually impossible, that all things connect to all other things and one needs, to paraphrase E.M. Forster, "only [to] connect." The disclaimer that must, therefore, precede the body of this essay is that its writer likes the connection idea. One can easily make the argument that synthesis represents the most genuine form of learning. Juxtapose items one and two and discover a third that is neither.
With this in mind, let us think about the City Hall Park fountain. It is less familiarly known as the Mould Fountain after the architect who collaborated in the design of Central Park with Frederick Olmsted and Calvert Vaux. Mould's fountain stood where it presently does, in lower City Hall Park, from 1871 to 1920 astride the Mullett Post Office. In 1920, it was carted up to Crotona Park in the Bronx until Mayor Guliani returned it to where it had started its life. The Mould Fountain has thus traced a neat little gyre that frames its life.
Find the greensward at the southern entrance to the park and there is the Mould Fountain. If one were to have looked there two hundred years ago, there would have been a public "hydrant," the first tap of the new water supply generated by the Croton aqueduct system. Look there today and one finds the fountain, back since the Guiliani years, but surrounded by 1990s gaslights and benches, greenery, but no post office.
The Croton system solved the cholera problem invariably created by Collect Pond. The Croton system allows New York City to justly claim that it has one of the purest water supplies of any municipality in the United States. Water became a starting point for the "conspiracy" discussed in the preceding post, and the problem of low water pressure increased the danger of devastating fires such as those of 1741, 1776, and 1835. Water, "tea-water," fires, conspiracies, a post office in the Second Empire style, and a first public tap. All these things merge in today's lower City Hall Park and its cooling fountain with pathway marking, almost invisibly, what once was known as "Mail Street."
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